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張大千1940年代作紅妝步障工筆鈎金紅荷花圖
Red Lotus by Zhang Daqian in 1940s
Size: H 173 x W 84.5 cm ( Frame Size: H 220 x W 132 cm )
Year: 1940s
Ink and color on paper, mounted and framed, signed DAQIAN ZHANG YUAN, inscribed, with 3 seals of the artist.
題識簽名︰ 畫舸無恩別浦長，綠雲十里暗紅妝；西風一夜涼如許，從此西風夜夜涼。
第三句易「一番雨過秋如許」，大千張爰。
三式鈐印︰ 張爰印、大千居士、春長好。
大小尺寸︰ 高 173 cm x 寬 84.5 cm 約 13.42 平尺 16.24 才
媒體形制︰ 直幅設色紙本鏡框 （鏡框尺寸︰高 220 cm x 寬 132 cm）
張大千1940年代作紅妝步障工筆鈎金紅荷花圖 鑑定意見書
Red Lotus by Zhang Daqian in 1940s Authentication Opinions
1、此幅作品張大千之簽名筆跡、使用鈐印與張大千於1940s 年代作品吻合。
此幅作品作者張大千之“大千張爰”簽名筆跡與北京保利國際拍賣有限公司 2014 年 6 月 3 日春季拍賣會融古開今京津名家書畫專場圖錄 Lot 2103 張大千 1935 年作行書七言詩書法（楊虎城將軍上款並由楊虎城將軍家屬提供）之“大千張爰”簽名筆跡完全相同。
The signed signature, handwriting styles, and stamped seals of this work of art match those on the works of art by Zhang Daqian in 1940s.
The signed signature “Daqian Zhang Yuan” of the artist Zhang Daqian of this work of art is the same as that signed in the Seven Character calligraphy by Zhang Daqian dated 1935, that was dedicated to General Yang Hucheng with the provenance of the family of General Yang Hucheng, and auctioned off at the 2014 Spring Auction Lot. 2103 of Beijing Poly Auction Company on June 3rd 2014.
2、此幅作品之用紙柔和無火氣逼人之感覺，為1940s 年代用紙。
The paper of this work of art is gentle without the feeling of brightly and newly made white and should be used in 1940s.
3、此幅作品之水墨及設色顏料具備有1940s年代包漿的古老痕跡。
The ink and color pigments of this work of art have the old marks since 1940s.
4、作者在題識內容中修改詩句，代表作者具備作畫創造能力及作詩能力，於鑑定實務上，即為「作品真正」，屬世上罕見的「作者修改詩句」書畫精品！
The artist changed the third sentence of the poem in the inscription from one to another. This means that the artist had both the creations of painting and poem writing. In practical authentication knowledge, this work of art must have been done by the artist “TRULY”. This work of art is a rare "Poem Amending Painting" in the world！
5、此幅作品只用水墨作工筆勾勒及精描荷葉桿刺，次以硃砂繪出紅荷花，再以金泥勾描紅荷，絕大部分以石青、石綠描繪高而挺拔直立之荷桿與顏色深淺不一卻極有層次感之荷葉，間以少許荷葉上之污泥。全幅作品古色古香淡雅清秀，自1940s年代以來，全世界只有張大千有此畫工。
This work of art was outlined together with delicate drawings of thorns on lotus stems with ink, then painted red lotus flowers with cinnabar and outlined with gold mud. Most of all this work of art was painted by tall and standing upright lotus stems and various deep or light same-colored lotus leaves in different layouts with green mineral pigments, accompanying by some mud stains on lotus leaves. The whole work of art is archaistic, elegant and graceful. Up to the present only Zhang Daqian had this painting technique since 1940s in this world.
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觀賞2011年列名世界拍賣總收入前30名中國畫家名畫作品及中國古代罕見的古董之免費網址
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歡迎辨識您的中國書畫及藝術品! 我們的協助是免費的!
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