2018 Art
Taipei World Art Fair and Art Olympiad
2018 Fine Art to Sell Art Fair and Art Olympiad
2018年台北世界藝術博覽展售會及世界奧林匹亞藝術競賽會
2018年藝術精品博覽展售會及世界奧林匹亞藝術競賽會
2017 Registration was closed / 2017年登記截止
2017 Registration was closed / 2017年登記截止
2017 Registration was closed / 2017年登記截止
Are you ready to WIN the PRIZE?
Are you ready to SELL and EXHIBIT your fine
artworks and collections?
Please never to register as late as 2018 space is over!
你準備好贏得競賽獎金了嗎？
你準備好展售你的藝術作品及收藏藝術精品了嗎？
請勿延誤登記遲至2018年度額滿!
Registration:登記
(1) In order to confirm
your identity/registration, please go to your local bank desk/counter to wire
transfer US
確認登記請至銀行櫃台將美金費用匯款至下列台灣中小企業銀行外匯綜合存款帳號 080-52-001588:
Bank Name: Taiwan
Business Bank, Chung Shan Branch.
Swift Address: MBBTTWTP080
Account Name: Orion
Group Art Fair and Art Olympiad Co., Ltd.
Account Number:
080-52-001588
To
Register please click the PayPal BUY NOW Button at the following official
registration website 登記請立即點選下列登記官網網址中之PayPal立即購按鈕：
(:168 即一路發 all
the way to the prosperous)
(2) Send the receipt
image copy of the above remittance, your
individual/company/gallery/organization English name, English address, contact
email address, phone number; school English name and address together with
student ID card copy and individual passport copy (for students); school/museum/auction
house/gallery English name and address
together with working ID/Name card copy and individual passport copy plus
resume stipulating contest category [A to O] of major to judge (for contest
Judge/Juror); birth day/birth year together with major contest category [A to
O] of artworks and the photos of recent artworks plus their sizes/descriptions and
individual passport copy (for contest artist); birth day/birth year and English
name of the artist together with the photos of artworks to sell and exhibit
plus their sizes/descriptions/selling prices/insured amounts (for
artist/collector/artworks to sell and exhibit); your booth/advertisement
requirements (for booth registrant/advertiser); birth days/birth years and
English names of the artists together with the photos of ALL artworks to sell
and exhibit at the booth plus their sizes/descriptions/selling prices/insured
amounts(for booth registrant/gallery to sell and exhibit at the booth); and any
further necessary information/data (including individual personal
passport size photo image or company/gallery/organization logo image for
contest artist/judge/juror/company/gallery/organization participation identification
card/letter of participation certificate and subject catalog listing) you want
to be recorded and listed permanently on the 2017 catalog publication, to all
four of the email addresses below with email title "2018 Art Fair
Registration/2018 Art Olympiad Registration":
將上述匯款收據之掃描影像檔，個人/公司/畫廊/藝廊/團體組織的英文姓名、英文地址、聯絡電子郵件信箱、電話號碼；學校英文姓名及地址與學生證及個人護照影本（學生）；學校/博物館/美術館/拍賣行/畫廊/藝廊英文姓名及地址與任職證明或名片及個人護照影本與註明藝術競賽評審裁判項目[A 至 O項]主科之簡歷（藝術競賽之評審裁判）；出生日期/出生年及藝術競賽參賽項目[A 至 O項]與最近作品之影像檔及其尺寸說明和個人護照影本（參賽藝術家）；藝術家之出生日期/出生年及英文姓名與展售藝術品之影像檔及其尺寸說明和銷售價額與投保金額（展售藝術品之藝術家/收藏家/藝術品）；攤位及廣告內容需求（展售攤位登記者及廣告商）；藝術家之出生日期/出生年及英文姓名與所有參加展售藝術品之影像檔及其尺寸說明和銷售價額與投保金額（展售攤位登記者及畫廊藝廊）；及任何您需要永久著錄登記在2017年出版圖錄上之資訊/資料(含製作參賽藝術家/藝術競賽之評審裁判/公司/畫廊/藝廊/團體組織的參賽/參審或參展證件/證明書及相關圖錄登載所需之個人護照大小相片圖檔或公司/畫廊/藝廊/團體組織的商標圖檔)，傳送至下列全部4個電子郵件信箱中，抬頭並需註明 "2018年藝術博覽展售會登記/2018年世界奧林匹亞藝術競賽會登記"：
(3) With the above two
procedures, you will receive a "Confirmation Letter of Registration"
email within 7 working days!
完成上述二事項後，於七個工作日內您將收到"確認登記函"電子郵件!
(The above high paying
cash reward money for the champions of gold/silver/bronze winners are subject
to 20% [non-residents of Taiwan]/ 10% [residents of Taiwan] of reward taxes
deduction by the Taiwan Government and all sales revenues are subject to 1.2%
[6% of Sales Amount x 20%] of artist/seller/collector personal income taxes
deduction by the Taiwan Government and 18% of sales commission deduction for
sales amount below US$ 1 million/12% of sales commission deduction for sales
amount over US$ 1 million)
(非台灣居民之金銀銅牌競賽獎金現金報酬將扣除20%之個人綜合所得稅；所有銷售成交金額將扣除18%
[美金1百萬以下]及12% [美金1百萬以上]之銷售佣金及1.2%之個人綜合所得稅[銷售成交金額之6%為藝術家/賣方/收藏家之一時貿易所得x 20%])
A new generation of world art buyer
There are 5 million
students in Taiwan and 1.2
million of them are studying in the great Taipei
一個新世代世界藝術品買家
台灣有5百萬名學生，其中1百20萬名學生就學於每天有將近一千萬居民生活及工作中之台北市與新北市的大台北區域。學校學生團體為了基礎藝術教育訓練課程所安排參觀之鉅額團體票現金收入，足可讓策展人在展覽最後一天儘量盡可能地幾乎買光或清光其他世界及本地藝術品商業/投資買家所買剩下之展售完美創作藝術精品，除非您的藝術精品是缺席的！
Organizer 策展人
Mr. Orion Hsu
Governmental Subsidiary
Payments are subject to filing application requests to both the Taiwan Government and the Taipei
政府補助金最遲於
Registered booths: 登記攤位
·
Art Galleries 藝廊/畫廊
·
Public Media 公眾傳媒
·
Auction Houses 拍賣行
·
Art related Shops 藝術相關行業精品名店
·
Museums 博物館美術館
·
Others 其他行業
Booth Price: 攤位價格
Standard booth (3 meters
X 3 meters booth walls and lights): US$ 2,000 per booth
標準攤位（3 公尺 X 3公尺 攤位/牆面/燈光）：美金2,000元
Business booth (6 meters
X 6 meters booth walls and lights): US$ 10,000 per booth
商務攤位（6 公尺 X 6公尺 攤位/牆面/燈光）：美金10,000元
VIP booth (12 meters X
12 meters booth walls and lights): US$ 60,000 per booth
貴賓攤位（12 公尺 X 12公尺 攤位/牆面/燈光）：美金60,000元
2018 World Art Olympiad
2018年世界奧林匹亞藝術競賽會
Registered artists for
the champions of gold/silver/bronze contest with high paying cash reward money:
登記參賽金銀銅牌高額現金獎金之藝術家
Category A – done and exhibiting art of works
other than paintings (sculptures and so on) below 20 kilograms 參展20公斤 以下名畫外之其他藝術品如雕塑等
Category B – done and exhibiting oil/acrylic
paintings 參展油畫/壓克力顏料油畫
Category C – done and exhibiting
ink/watercolor/pastel paintings 參展水墨/設色/水彩/粉筆彩畫
Category D – spot professional painting by oil/acrylic for landscape
paintings within 2 hours 油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-山水圖
Category E – spot teenager/student painting
by oil/acrylic for landscape paintings within 2 hours油畫/壓克力顏料油畫-青少年/學生組-現場2小時內繪畫-山水圖
Category F – spot professional painting by ink/watercolor/pastel for
landscape paintings within 2 hours水墨/設色/水彩/粉筆彩畫-專業組-現場2小時內繪畫-山水圖
Category G – spot teenager/student painting
by ink/watercolor/pastel for landscape paintings within 2 hours 水墨/設色/水彩/粉筆彩畫-青少年/學生組-現場2小時內繪畫-山水圖
Category H – spot professional painting by oil/acrylic for still
objects/figure paintings within 2 hours油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-靜物圖/人物圖
Category I – spot teenager/student painting
by oil/acrylic for still objects/figure paintings within 2 hours 油畫/壓克力顏料油畫-青少年/學生組-現場2小時內繪畫-靜物圖/人物圖
Category J – spot professional painting by ink/watercolor/pastel for
still objects/figure paintings within 2 hours水墨/設色/水彩/粉筆彩畫-專業組-現場2小時內繪畫-靜物圖/人物圖
Category K – spot teenager/student painting
by ink/watercolor/pastel for still objects/figure paintings within 2 hours 水墨/設色/水彩/粉筆彩畫-青少年/學生組-現場2小時內繪畫-靜物圖/人物圖
Category L – spot professional painting by
oil/acrylic for abstract/expressionist paintings within 2 hours 油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-抽象畫/表現主義畫
Category M – spot professional painting by
oil/acrylic for other subject paintings within 2 hours油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-其他種類畫
Category N – spot professional portrait painting by
pencil/charcoal/pastel/pen within 1 hour鉛筆/木炭/粉筆/筆-專業組-現場1小時內繪畫-肖像圖
Category O – spot teenager/student portrait
painting by pencil/charcoal/pastel/pen within 1 hour 鉛筆/木炭/粉筆/筆-青少年/學生組-現場1小時內繪畫-肖像圖
Registered judges/jurors
(art related teachers/instructors/professors of high
schools/colleges/universities or art specialists of museums/auction
houses/galleries) for the champions of gold/silver/bronze contest: (cash
compensation per contest judge will be given if selected to judge in the juror
team) 登記金銀銅牌藝術競賽之評審裁判（任職大學/學院/高中之藝術相關教授/講師/老師或任職博物館/美術館/拍賣行/畫廊/藝廊之藝術專員。若入選為藝術競賽之評審裁判，將可獲得每場裁判之現金報酬。）
(The above cash compensations
for contest judge are subject to 6% [non-residents of Taiwan with total amount below US$ 965]/ 18%
[non-residents of Taiwan
(非台灣居民之評審裁判現金報酬將扣除6%[低於US$
965]或18%[高於US$ 965]之個人綜合所得稅)
Category A – done and exhibiting art of
works other than paintings (sculptures and so on) below 20 kilograms 參展20公斤 以下名畫外之其他藝術品如雕塑等
Category B – done and exhibiting oil/acrylic
paintings 參展油畫/壓克力顏料油畫
Category C – done and exhibiting
ink/watercolor/pastel paintings 參展水墨/設色/水彩/粉筆彩畫
Category D – spot professional painting by oil/acrylic for landscape
paintings within 2 hours 油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-山水圖
Category E – spot teenager/student painting
by oil/acrylic for landscape paintings within 2 hours油畫/壓克力顏料油畫-青少年/學生組-現場2小時內繪畫-山水圖
Category F – spot professional painting by ink/watercolor/pastel for
landscape paintings within 2 hours水墨/設色/水彩/粉筆彩畫-專業組-現場2小時內繪畫-山水圖
Category G – spot teenager/student painting
by ink/watercolor/pastel for landscape paintings within 2 hours 水墨/設色/水彩/粉筆彩畫-青少年/學生組-現場2小時內繪畫-山水圖
Category H – spot professional painting by oil/acrylic for still
objects/figure paintings within 2 hours油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-靜物圖/人物圖
Category I – spot teenager/student painting
by oil/acrylic for still objects/figure paintings within 2 hours 油畫/壓克力顏料油畫-青少年/學生組-現場2小時內繪畫-靜物圖/人物圖
Category J – spot professional painting by ink/watercolor/pastel for
still objects/figure paintings within 2 hours水墨/設色/水彩/粉筆彩畫-專業組-現場2小時內繪畫-靜物圖/人物圖
Category K – spot teenager/student painting
by ink/watercolor/pastel for still objects/figure paintings within 2 hours 水墨/設色/水彩/粉筆彩畫-青少年/學生組-現場2小時內繪畫-靜物圖/人物圖
Category L – spot professional painting by
oil/acrylic for abstract/expressionist paintings within 2 hours 油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-抽象畫/表現主義畫
Category M – spot professional painting by
oil/acrylic for other subject paintings within 2 hours油畫/壓克力顏料油畫-專業組-現場2小時內繪畫-其他種類畫
Category N – spot professional portrait painting by
pencil/charcoal/pastel/pen within 1 hour鉛筆/木炭/粉筆/筆-專業組-現場1小時內繪畫-肖像圖
Category O – spot teenager/student portrait
painting by pencil/charcoal/pastel/pen within 1 hour 鉛筆/木炭/粉筆/筆-青少年/學生組-現場1小時內繪畫-肖像圖
Registered Universities,
Colleges and high schools: 登記大學, 學院及高中
Donators and Advertisers:
贊助捐贈者及廣告商
Ticket Price: 入場票價
Regular price tickets 標準票價
One Day ticket (valid one day) 單日票: US$ 20
All Days Permanent
ticket (valid all days) 全期票: US$ 50
Reduced price tickets 減價票
Reduced price One Day
ticket for students and seniors (valid one day) 學生單日票及老年單日票: US$ 10
Reduced price All Days
Permanent ticket for students and seniors
(valid all days) 學生全期票及老年全期票: US$ 25
(Students are
individuals attending a school/college /university. Seniors are individuals
ages 65 and up. 學生是大學/學院/高中就學學生，老年是65歲以上長者。)
Group tickets 團體票
One Day tickets (valid one day) for groups of 10 people or more 十人以上團體單日票: US$ 10 per person 每人US$ 10
School groups (groups of
10 students or more accompanied by minimum 1 teacher/chaperone per group) 學校老師或導護率領十位以上學生團體: US$ 6 per person 每人US$ 6
*Admission is free for
children aged 12 and under when accompanied by an adult. 12歲以下孩童由一位大人陪同入場免費。
Catalog Publication
Price: 圖錄售價
Individual order 單本: US$ 50 per copy/book 每本US$ 50
Group order of 10
copies/books or more 團購10本以上: US$ 30 per copy/book 每本US$ 30
Catalog Advertisement
Price: 圖錄廣告費
Front Cover Page 封面:
US$ 1 million
Bottom Cover Page 封底:
US$ 800,000
Front Cover Inner Page 封面內頁:
US$ 600,000
Bottom Cover Inner Page 封底內頁:
US$ 400,000
Front Top 100 pages 前面100頁:
US$ 10,000 per page 每頁
Bottom Last 100 pages 後面100頁:
US$ 5,000 per page 每頁
Inner one full page 內頁一全頁:
US$ 500 per page 每頁
Inner half a page 內頁一半頁:
US$ 200 per half a page 半頁
Antique, Ceramic,
Jade/Jadite, Jewelry/Precious Stone/Diamond Exhibition Cabinet Rent Price: 骨董/名瓷/玉器/翡翠/珠寶/寶石/鑽石展示櫥櫃租金費用
Standard Cabinet 標準櫃
(Height 190 x W 50 x D 50 cm +
5 LED): US$
600
Wide Cabinet 寬櫃
(Height 190 x W 100 x D 50 cm +
8 LED): US$
1,000
Wide Table Cabinet 寬桌櫃
(Height 105 x W 100 x D 50 cm +
2 LED + 1 T5 light): US$ 800
Art Insurance Price: 藝術品保險費
1% of the Insured Amount
of the insured Art of Work 藝術品投保金額之1%
If the selling price is US$ 2
million and the claimed insured amount is just US$ 1 million, then the art
insurance price is 1% of US$ 1 million, US$ 10,000 that covers US$ 1 million of
insured coverage amount!
如藝術品售價是2百萬美金，但投保金額僅為1百萬美金。則保險費是投保金額1百萬美金的1%為1萬美金，但只有承保1百萬美金的理賠金額。
Registration Fee 登記費
Artist to contest (with
two All Days Permanent tickets) 參賽藝術家（含兩張全期入場票）: US$ 100 per person 每人US$ 100
Artwork to sell and
exhibit at general venue (with two All Days Permanent tickets) 在會場展售之藝術品（含兩張全期入場票）: US$ 100 per piece 每件US$ 100
Artwork to sell and
exhibit in VIP Hall (with five All Days Permanent tickets) 在貴賓廳展售之藝術品（含五張全期入場票）: US$ 800 per piece 每件US$ 800
Registered judge/juror
(art related teacher/instructor/professor of high school/college/university or
art specialist of museum/auction house/gallery) for the champions of
gold/silver/bronze contest (with two All Days Permanent tickets) 登記金銀銅牌藝術競賽之評審裁判（任職大學/學院/高中之藝術相關教授/講師/老師或任職博物館/美術館/拍賣行/畫廊/藝廊之藝術專員）（含兩張全期入場票）: US$ 100 per person 每人US$ 100
2018 World Fine Art to
Sell Art Fair
2018年世界藝術精品博覽展售會
Registered paintings to sell and exhibit in VIP Hall: 登記在貴賓廳展售之名畫
No. A001 Price: US$ 20 million
張大千1940年代作《紅妝步障工筆鈎金紅荷花圖》
《Red Cosmetics on Screen》with Very Fine and Delicate Drawings of Golden Outlined Red Lotus by Zhang Daqian in 1940s
題識簽名︰ 畫舸無恩別浦長，綠雲十里暗紅妝；
西風一夜涼如許，從此西風夜夜涼。
第三句易「一番雨過秋如許」，大千張爰。
三式鈐印︰ 張爰印、大千居士、春長好。
大小尺寸︰ 高 H 173 x 寬 W 84.5 cm 約 13.42 平尺 16.24 才
媒體形制︰ 直幅設色紙本鏡框
Size: H 173 x W 84.5 cm
Vertical ink and color on paper, mounted and framed, signed DAQIAN ZHANG YUAN, inscribed, with three seals of the artist.
No. A002 Price: US$ 2 million
張大千1967年作《五亭湖山居潑彩山水圖》
《Dwelling in the Mountain by the Lake Wuting》by Zhang Daqian dated 1967
題識簽名︰ 爰翁、丁未之秋、五亭湖上寫。
二式鈐印︰ 大千唯印大年、以介眉壽。
大小尺寸︰ 高 64 x 寬 69 cm 約 4.05 平尺 4.90 才
媒體形制︰ 潑彩水墨設色絹本鏡框
Size: H 64 x W 69 cm
Splashed ink and color on silk, mounted and framed, signed YUAN WENG, inscribed WRITTEN AT LAKE WUTING IN AUTUMN OF YEAR 1967, with two seals of the artist.
No. A003 Price: US$ 1 million
于右任1953年作贈陶百川之《般若波羅蜜多心經行草書法手卷》
《The Buddhist Sutra of the Heart of Prajna》 calligraphy hand-scroll by Yu Youren to be dedicated to Tao Baichuan in 1953
題識簽名︰ 般若波羅蜜多心經 玄奘大師譯 百川先生 于右任（行書）。
一式鈐印︰ 右任。
大小尺寸︰ 高 35 x 寬 135 cm 約 4.33 平尺 5.25 才
媒體形制︰ 水墨紙本行草書法手卷
Size: H 35 x W 135 cm
Ink on paper, calligraphy hand-scroll, titled THE BUDDHIST SUTRA OF THE HEART OF PRAJNA TRANSLATED BY BUDDHIST MASTER XUAN ZANG, dedicated TO MR. TAO BAICHUAN, signed YU YOUREN, with one seal of the artist.
No. A004 Price: US$ 30 million
張大千1980年作《寒塘過雨》潑彩洒金金箋鈎金紅荷花圖
《Rain over a Cold Pond》splashed color and gold Golden Outlined Red Lotus on gold sheet by Zhang Daqian dated 1980
題識簽名︰ 雨過香吹夢乍迴小池塘，庚申五月三十日，
八十二叟爰。
五式鈐印︰ 張爰、大千寫記、張爰私印、大風堂、大千豪髮。
大小尺寸︰ 高 97 x 寬 175.5 cm 約15.63 平尺 18.91 才
媒體形制︰ 橫幅潑彩水墨設色洒金金箋鏡片
Size: H 97 x W 175.5 cm
Splashed ink and color on gold sheet, mounted, signed 82 YEARS OLD MAN YUAN, inscribed RAIN OVER A POND WITH BLOWING FLAVORS AND REMINDFUL DREAMS ON MAY 30TH OF YEAR 1980, with five seals of the artist.
No. A005 Price: US$ 40 million
張大千1947年作《擬元代黃公望浮巒暖翠山水圖》
《After the Rising and Warm Green Mountains by Huang Gongwang》 by Zhang Daqian dated 1947
題識簽名: 聽泉入山麓、訪舊到松源、蹤跡無知處、高枝一掛猿。
丁亥秋孟擬子久 (即元代黃公望 1269 - 1354) 浮巒暖翠於大風堂下、張爰。
三式鈐印: 張爰私印、大千居士、大風堂。
大小尺寸: 高 93 x 寬 176.5 cm 公分 (約 15.07 平尺、18.23 才)
媒體形制: 橫幅水墨設色紙本鏡片
元代黃公望(1269-1354)作浮巒暖翠山水圖之原圖已失而不可考！
清代王時敏1670年作倣黃公望浮嵐暖翠圖 (臺北故宮博物院藏 編號:故畫002374N000000000大小尺寸: 高 63.5 x 寬 29.3 cm 公分 直幅水墨紙本立軸) 可供參圖。
Size: H 93 x W 176.5 cm
Ink and color on paper, mounted, signed and titled 1947 AUTUMN LUNAR JULY AFTER ZI JIU (Huang Gongwang 1269-1354) RISING AND WARM GREEN MOUNTAINS AT DAFENGTANG ZHANG YUAN, inscribed LISTENING TO THE SPRINGS BELOW THE MOUNTAINS, VISITING OLD FRIEND TO THE SOURCE OF PINE TREES, ARRIVING NOWHERE IN THE DEEP MOUNTAINS, HAVING AN APE HANGING ON TOP BRANCHES OF A TREE, with three seals of the artist.
《The Rising and Warm Green Mountains》by Huang Gongwang (1269-1354) Yuan dynasty has been lost and not capable of researching!
《After the Rising and Warm Green Mountains by Huang Gongwang》 by Wang Shimin (1592-1680) dated 1670 Qing dynasty (collected by Taipei National Palace Museum, museum No. NPM Painting 002374N000000000, Size: H 63.5 x W 29.3 cm, vertical ink on paper, mounted and scrolled.), is a reference painting.
No. A006 Price: US$ 40 million
張大千1979年作《金箋潑彩描金紅荷花圖》
《Splashed Color Golden Outlined Red Lotus》on gold sheet by Zhang Daqian dated 1979
題識簽名: 朱闌遍雨黃月生、綃衣初試五銖輕、稍嫌翠珮紅粧句、不稱江妃出浴情。六十八年己未夏月摩耶精舍，八十一叟爰。
六個鈐印: 張爰之印、大千父、摩耶精舍、三千、張爰之印、環蓽盫。
大小尺寸: 高 H 97 x 寬 W 242.5 cm 約 21.60 平尺 26.13 才
媒體形制: 橫幅水墨設色金箋鏡片
本名畫之題識 "朱闌遍雨黃月生、綃衣初試五銖輕、稍嫌翠珮紅粧句、不稱江妃出浴情。" 28 個文字，與佳士得（香港）有限公司 1998 年 4 月 26 日 1998 年春季拍卖会 Lot 070 之張大千 1963 年作 《荷花圖》(H 67 x W 132 cm 橫幅水墨設色紙本鏡心)之題識 28 個文字完全相同。
且本名畫之題識 "朱闌遍雨黃月生、綃衣初試五銖輕、稍嫌翠珮紅粧句、不稱江妃出浴情。" 中之 26 個文字，又與佳士得（香港）有限公司 2012 年 11 月 27 日 2012 年秋季拍卖会 (二) Sale 2961 / Lot 1261 ( 拍賣成交價: 美金 206,400 元 ) 之張大千 1981 年作 《碧荷圖》(H 45.5 x W 132 cm 橫幅設色紙本鏡框)之題識中 26 個文字完全相同。
Size: H 97 x W 242.5 cm
Ink and color on gold sheet, Mounted, signed 81 YEARS OLD MAN YUAN, inscribed RAINS ARE FALLING UPON THE RED WINDOW FENCE WHEN YELLOW MOON COMES OUT, THE FIRST TRYING ON NEW SILK CLOTHES LET YOU FEEL ANCIENT FIVE DOLLARS LIGHT. THE WORDS THAT YOU ARE SLIGHTLY COMPLAINING OF GREEN PENDANTS AND RED COSMETICS, ARE NOT FIT FOR THE LOVELY AFTER-BATH AFFECTION OF THE EMPEROR'S CONCUBINE NAMED JIANG, YEAR 1979 JI WEI SUMMER MONTHS AT RESIDENCE MOYEJINGSHE, with six seals of the artist.
The inscriptions of Zhang Daqian in this painting are the same as those 28 words in 《Lotus》 by Zhang Daqian dated 1963 (H 67 x W 132 cm, mounted, Auction Record: Christie's Hong Kong 1998 Spring Auction Lot 070 on 04/26/1998.).
Besides the inscriptions of Zhang Daqian in this painting are also the same as those 26 words in 《Lotus》 by Zhang Daqian dated 1981 (H 45.5 x W 132 cm, mounted and framed, Auction Record: Sold price US$ 206,400 dollars at Christie's Hong Kong 2012 Autumn Auction [2] Sale 2961/Lot 1261 on 11/27/2012.).
No. A007 Price: US$ 30 million
張大千1979年作《遙思黃山故景潑彩山水圖》
《Recalling the Beautiful Scenery of Mountain Huang in China》by Zhang Daqian dated 1979
題識簽名︰ 木葉含風靜、千山尚綠肥、微暉弄晴晚、猶暖舊林扉。
六十八年已秋摩耶精舍寫、八十一叟爰。
四式鈐印︰ 張爰、大千居士、摩耶精舍、大千豪髮。
大小尺寸︰ H 高 92 x W 寬 172 cm 約 14.53 平尺 17.58 才
媒體形制︰ 橫幅設色紙本鏡片
SIZE︰H 92 x W 172 cm
Splashed ink and color on paper, mounted, signed 1979 AUTUMN WRITTEN IN MOYEJINGSHE 81 YEARS OLD MAN YUAN, inscribed THE MAPLE LEAVES ARE STILL IN WIND, THE MOUNTAINS ARE STILL SO GREEN, IT'S SHINY ALL DAY TILL LATE, IT'S STILL SO WARM IN THE OLD FOREST, with four seals of the artist.
No. A008 Price: US$ 30 million
張大千1978年作《台灣橫貫公路合歡山鳥瞰金碧潑彩山水圖》
《A Bird’s-eye View on Taiwan Cross-Island Road near Herhuan Splendid golden-outline landscape splashed painting》by Zhang Daqian dated 1978
題識簽名︰ 六十七於摩耶精舍八十叟爰。
三式鈐印︰ 張爰私印、大千、大千毫髮。
大小尺寸︰ H 高 92 x W 寬 170 cm 約 14.36 平尺 17.37 才
媒體形制︰ 橫幅設色紙本鏡片
SIZE︰H 92 x W 170 cm
Splendid golden-outline splashed ink and color on paper, mounted, signed 80 YEARS OLD MAN YUAN, inscribed 1978 IN MOYEJINGSHE, with three seals of the artist.
No. A009 Price: US$ 30 million
張大千1946年作《倣宋人畫賓頭盧尊者像》
《Painting the Elder Bintourlu after Technique of Song Dynasty》by Zhang Daqian dated 1946
題識簽名︰倣宋人畫賓頭盧尊者像、丙戌嘉平月。大千張爰。
五式鈐印︰張爰私印、三千大千、老棄敦煌、除一切苦、大風堂。
大小尺寸︰高 H 92 x 寬 W 171 cm 約 14.44 平尺 17.48 才
媒體形制︰橫幅設色紙本鏡片
Size: H 92 x W 171 cm
Painting the Elder Bintourlu after Technique of Song Dynasty by Zhang Daqian dated 1946
Ink and color on paper, mounted, signed Dec.1946 DAQIAN ZHANG YUAN, inscribed and titled PAINTING THE ELDER BINTOURLU AFTER TECHNIQUE OF SONG DYNASTY, with five seals of the artist.
No. A010 Price: US$ 6 million
張大千1978年3月作《一花一世界白荷花圖》
《One Flower in One World White Lotus》by Zhang Daqian dated March 1978
題識簽名︰一花一世界、三藐三菩提。六十七年三月、星雲大德印正。
蜀郡近事男張大千爰。
五式鈐印︰西川張爰、金石同壽、摩耶精舍、大風堂、得心應手。
大小尺寸︰高 H 89 x 寬 W 173 cm 約 14.13 平尺 17.10 才
媒體形制︰橫幅水墨設色紙本鏡片
此幅名畫 (H 89 x W 173 cm) 與張大千 1978 年戊午年 2 月初 2 日作《一花一世界白荷花圖》水墨畫 (H 94 x W 212.5 cm)，皆為張大千於同時間內的姐妹作。兩幅名畫題識中之 "一花一世界、三藐三菩提。六十七年、星雲大德印正。蜀郡近事男張大千爰。" 等 29 個文字，完全相同。
佛光山開山宗長星雲大師於其所著的《星雲日記 命運的主人》一書中，記載 1994 年 2 月 27 日星期日下午，為舉行籌募佛光大學創校經費的 "當代名家藝術精品" 義賣會上，會場中最高潮乃是在拍賣張大千先生的《一花一世界》水墨畫 (高 94 x 寬 212.5 cm 橫幅水墨設色紙本 張大千 1978 年戊午年 2 月初 2 日作)，這幅畫是民國 67 年 (1978 年) 3 月張大千先生親自送到佛光山來給我們。 拍賣時以 500 萬元起價，經過一番競標，最後由一位蕭姓信徒以 6,000 萬元得標，但又捐出來給佛光大學；再由遠東集團創辦人徐有庠先生以 5,600 萬元得標，使得這一幅畫以 11,600 萬元的高價結了善緣。
因此，佛光大學佛光教科書第 11 冊《佛光學》之第 20 課《佛光山大事記》，便記載著《佛光山創建緣起摘要》如下︰ 1978 年佛光 12 年 3 月，張大千先生暨夫人來山禮佛，並贈親繪巨畫《一花一世界》。
故《佛光山開山宗長星雲大師大事記》也相對記載著︰ 1978年，星雲大師 52 歲，國寶級畫家張大千暨夫人來山禮佛，並贈親繪巨畫《一花一世界》。
Size: H 89 x W 173 cm
Ink and color on paper, mounted, signed SHU JUN JIN SHI NAN ZHANG DAQIAN YUAN, inscribed and titled ONE FLOWER IN ONE WORLD AND THREE COMPREHENSIONS OUT OF THREE INSIGNIFICANCIES, MARCH 1978, dedicated BUDDHIST MASTER XING YUN AS WITNESS, with five seals of the artist.
The handwritings and signature of Zhang Daqian in this painting are the same as those 29 words in the sister painting 《One Flower in One World White Lotus》(H 94 x W 212.5 cm, Feb.2nd, 1978, sold twice US 3.86 million dollars in total by Buddist Master Xing Yun in Feb.27th, 1994 at the Auction held for the Foundation Fund of Buddhist University.) by Zhang Daqian.
The dedication of painting 《One Flower in One World White Lotus》by Zhang Daqian to Buddhist Master Xing Yun in March 1978 was recorded in Buddhist Master Xing Yun's personal Diary, the Buddhist Textbook Lesson 20, Volume 11 《The Memorabilia of Buddhist Mt. Fo Guang》 of Buddhist University, and the 《The Memorabilia of Founder Master Xing Yun of Buddhist Mt. Fo Guang》.
No. A011 Price: US$ 30 million
齊白石1949年作《十全老人神賢圖》
《The Ten Elder Men in the Legend of China》by Qi Baishi dated 1949
題識簽名︰ 八十九歲白石老人。
二式鈐印︰ 齊白石、借山翁。
大小尺寸︰ H 高 94 x W 寬 177 cm 約 15.27平尺 18.48才
媒體形制︰ 橫幅設色紙本鏡片
SIZE︰H 94 x W 177 cm
Ink and color on paper, mounted, signed BAISHI OLD MAN, inscribed 89 YEARS OLD, with two seals of the artist.
No. A012 Price: US$ 30 million
齊白石1951年作《荷花蜻蜓鴛鴦雙蝦佳偶小魚蝌蚪成群多子多孫福滿堂圖》
《Lotus, Double Mandarin Ducks and Love Shrimps》by Qi Baishi dated 1951
題識簽名︰ 九十一歲老人白石。
三式鈐印︰ 白石、齊大、悔鳥堂。
大小尺寸︰ H 高 94 x W 寬 177 cm 約 15.27平尺 18.48才
媒體形制︰ 橫幅設色紙本鏡片
SIZE︰H 94 x W 177 cm
Ink and color on paper, mounted, signed and inscribed 91 YEARS OLD MAN BAISHI, with three seals of the artist.
No. A013 Price: US$ 30 million
徐悲鴻1940年作《六朝人詩意圖》
《People in Chinese Ancient Historical Poem of Six Dynasties by Xu Beihong》dated 1940
題識簽名︰ 悲鴻庚辰。
四式鈐印︰ 悲鴻之畫、東海王孫、悲鴻之畫、真宰上訴。
大小尺寸︰ H 高 94 x W 寬 177.5 cm 約 15.32平尺 18.53才
媒體形制︰ 橫幅設色紙本鏡片
此圖之另兩幅姐妹作，一件現存莫斯科博物院，另一件於2008年4月5日至8月17日期間，曾由中國北京徐悲鴻紀念館合辦展覽於新加坡美術館。
SIZE︰H 94 x W 177.5 cm
Ink and color on paper, mounted, signed and inscribed BEIHONG 1940, with four seals of the artist.
Another one with the same artist and content was collected in Moscow Museum. The other was exhibited in Singapore Art Museum from 2008-04-05 to 2008-08-17.
No. A014 Price: US$ 30 million
徐悲鴻1940年作《九方皋圖》
《Jiufang Gao》People in the Chinese Ancient Historical Poem by Xu Beihong dated 1940
題識簽名︰ 悲鴻庚辰。
四式鈐印︰ 東海王孫、徐、悲鴻之畫、真宰上訴。
大小尺寸︰ H 高 94 x W 寬 177.5 cm 約 15.32平尺 18.53才
媒體形制︰ 橫幅設色紙本鏡片
另外一幅徐悲鴻作 "九方皋圖" 姊妹作品係收藏在中國北京徐悲鴻紀念館。
SIZE︰H 94 x W 177.5 cm
Ink and color on paper, mounted, signed and inscribed BEIHONG 1940, with four seals of the artist.
Another sister painting with the same artist and content was collected in Beijing Xu Beihong Museum China.
No. A015 Price: US$ 30 million
吳冠中1982年作《馬里村頭人物風景圖》
《The People Live in Mali Village》by Wu Guanzhong dated 1982
吳冠中1982年作馬里村頭人物風景圖
題識簽名: 馬里村頭、荼、一九八二年。
一式鈐印: 荼。
大小尺寸: 高 H 94 x 寬 W 176 cm 約 15.19 平尺 18.38 才
媒體形制: 橫幅水墨設色紙本鏡片
Size: H 94 x W 176 cm
Ink and color on paper, mounted, signed TU 1982, inscribed and titled MALI VILLAGE, with one seal of the artist.
No. A016 Price: US$ 2 million
吳冠中1990年作《表現主義紅荷花圖》
《Expressionistic Red Lotus》by Wu Guanzhong dated 1990
題識簽名︰ 吳冠中 一九九○。
二式鈐印︰ 冠中寫生、九十年代。
大小尺寸︰ 高 70.5 x 寬 63.5 cm 約 4.11 平尺 4.97 才
媒體形制︰ 水墨設色紙本鏡框
吴冠中曾经谈到: "我的画是将西画的优点表现在中国画之中. 我画的点和线, 每一笔都包括了体面的结构关系. 画中的点和线, 不管是大点小点, 长线短线, 在运用上是严格的, 都不是随便乱摆上去的, 有时一点不能多也不能少, 点子多了对画面无补, 我都想办法将他遮掉. 对线的长短也是如此, 都不是随便画上去的, 要恰到好处.". 因此, 此幅吳冠中1990年作 "荷花" 圖名畫, 即是吴冠中画的点和线的结构关系間之最佳詮釋.
而此幅作品之第 2 幅姐妹作吳冠中 1990 年作"荷花" (H 70 x W 70 cm) 水墨設色紙本, 與此幅作品之年代, 內容, 題識簽名, 及 2 個鈐印皆完全相同, 係著錄於香港翰墨軒出版有限公司於 1995 年 10 月 27 日出版發行之 "名家翰墨叢刊 中國近代名家書畫全集 第12冊 吳冠中/尋故人 第68頁圖". 而此兩幅作品之題識簽名 "吳冠中 一九九O" 七個文字, 經過科學筆跡比對鑑定分析, 兩者皆係出自吳冠中本人之親筆書寫筆跡, 而且完全相同.
第 3 幅姐妹作吳冠中 1990 年作 "荷花" (H 70 x W 140 cm) 水墨設色紙本, 與此幅作品之年代, 內容, 簽名, 及1個鈐印 "冠中寫生" 皆完全相同, 現藏上海美術館, 題識: "接天蓮葉, 綫曲屈, 勝于碧", 係著錄於香港翰墨軒出版有限公司於 1995 年 10 月 27 日出版發行之 "名家翰墨叢刊 中國近代名家書畫全集 第12冊 吳冠中/尋故人 第 70 頁圖".
第 4 幅姐妹作吳冠中 1990 年作 "荷花" (H 69 x W 68.5 cm) 水墨設色紙本, 與此幅作品之年代, 內容, 簽名, 及1個鈐印 "九十年代" 皆完全相同, 係著錄於香港藝術家出版社於 1990 年 8 月出版發行之 "吳冠中畫集 第 82 頁圖".
第 5 幅姐妹作吳冠中 1990 年作 "接天蓮葉勝於碧荷花圖" (H 70 x W 70 cm) 水墨設色紙本, 與此幅作品之年代, 內容, 簽名, 及 2 個鈐印 "冠中寫生, 九十年代." 皆完全相同, 題識: "接天蓮葉, 形綫曲折, 勝于碧", 係著錄於 "吳冠中自選畫集", 東方出版社, 建築與城市出版社有限公司, 1992 年出版. "吳冠中作品賞鑒" 1993 年月曆, 中國攝影出版社(附月曆), 陳嘉庚國際學會會訊 第一期封三, 1994 年.
第 6 幅姐妹作吳冠中 1990 年作 "接天蓮葉荷花圖" (H 96.6 x W 180.2 cm) 水墨設色紙本, 鏡心, 與此幅作品之年代, 簽名, 及 1 個鈐印 "冠中寫生" 皆完全相同, 題識: "接天蓮葉, 綫曲屈, 勝于碧", 係著錄於 "散珍集成" 第 218 至 219 頁, 河北教育出版社, 2005 年 5 月出版. "吳冠中畫展" 第 22 頁, (北京) 深巷畫廊, 2006 年 5 月. "藝冠中外" 第 84 至 85 頁, 百雅軒文化藝術機構, 2008 年 7 月出版. 拍賣記錄為: 2010 年 11 月 21 日北京誠軒拍賣有限公司 2010 年秋季拍賣會中國書畫 (二) Lot. 0313 拍賣成交價: 美金 US$ 935,580 元.
Size: H 70.5 x W 63.5 cm
Ink and color on paper, mounted and framed, signed WU GUANZHONG 1990, with two seals of the artist.
The 2nd sister painting “Lotus” by Wu Guanzhong dated 1990 (H 70 x W 70 cm, Literature: “Paintings of Chinese Modern Renowned Artists” Volume 12, Page 68, Wu Guanzhong, published by Hong Kong Hanmoxuan Publishing Company on Oct. 27th, 1995.) has the same Signature and Year handwritings as this one.
The 3rd sister painting “Lotus” by Wu Guanzhong dated 1990 (H 70 x W 140 cm) is collected by Shanghai Art Museum.
Wu Guanzhong said: "My paintings demonstrate the advantages of the western style merged into Chinese ones. Every dot and line painted by me includes the linking structure relation between plane and volume. The dots and lines at my paintings, no matter they are big or small dots, long or short lines, are not randomly placed. They are used carefully in strict requirements. Sometimes they are not even one dot more or less. Too many dots are needless by the paintings. Therefore sometimes I have to mask surplus dots. So are the lines in their length. They are not randomly painted and must be put precisely in point.". Thus this “Lotus” was the best explanation of the painting theory about dots and lines created by Wu Guanzhong.
The 4th sister painting “Lotus” by Wu Guanzhong dated 1990 (H 69 x W 68.5 cm, Literature: “Paintings of Wu Guanzhong” Page 82, published by Hong Kong Artist Publishing Company in Aug., 1990.) has also the same Signature and Year handwritings as this one.
The 5th sister painting “Lotus” by Wu Guanzhong dated 1990 (H 70 x W 70 cm, Literature: “Paintings selected by Wu Guanzhong”, published by Hong Kong Oriental Publishing Company, Architecture and City Publishing Company, in 1992.) has also the same Signature and Year handwritings with the same two seals as this one.
The 6th sister painting “Lotus” by Wu Guanzhong dated 1990 (H 96.6 x W 180.2 cm, Literature: “The Collection of Lost Art”, page 218–219, published by Hebei Educational Publishing Company in May 2005. Auction record: Sold US$ 935,580 by Beijing ChengXuan Auctions Co., Ltd. at 2010 Autumn Auction Chinese paintings [2] Lot. 0313 on Nov. 21st, 2010. ) has also the same Signature and Year handwritings with the same one seal as this one.
No. A017 Price: US$ 20 million
李可染1987年作《漓江山水傳千古圖》
《The Landscape of River Li being Well-known Forever》by Li Keran dated 1987
題識簽名︰ 漓江山水傳千古，歲次丁卯夏。 可染畫。
二式鈐印︰ 可染、李。
大小尺寸︰ 高 95.5 x 寬 177 cm 約 15.52 平尺 18.78 才
媒體形制︰ 橫幅設色紙本鏡片
Size: H 95.5 x W 177 cm
Horizontal ink and color on paper, mounted, signed YEAR 1987 SUMMER PAINTED BY KERAN, inscribed and titled THE LANDSCAPE OF RIVER LI BEING WELL-KNOWN FOREVER, with two seals of the artist.
No. A018 Price: US$ 20 million
林風眠作《宮女與花瓶圖》
《Court Ladies and the Vase》by Lin Fengmian
題識簽名: 林風眠。
一式鈐印: 林風瞑印。
大小尺寸: 高 H 97 x 寬 W 185 cm 約 16.47 平尺 19.93 才
媒體形制: 橫幅水墨設色紙本鏡片
創作年代: 1925 – 1949
Size: H 97 x W 185 cm
Date: 1925 – 1949
Ink and color on paper, mounted, signed Lin Fengmian, with one seal of the artist.
No. A019 Price: US$ 20 million
林風眠作《五裸女圖》
《Five Naked Ladies》by Lin Fengmian
題識簽名: 林風眠。
一式鈐印: 林風瞑印。
尺寸年代: 高 H 92.5 x 寬 W 175 cm 約 14.86 平尺 17.98 才
媒體形制: 橫幅水墨設色紙本鏡片
創作年代: 1925 – 1949
此圖仿畢加索作《亞威農少女》（尺寸年代: 高 243.9 x 寬 233.7 公分 創作日期: 法國巴黎 六月-七月 1907年 油彩帆布 鏡框 美國紐約現代美術館藏）
Size: H 92.5 x W 175 cm
Ink and color on paper, mounted, signed LIN FENGMIAN, with one seal of the artist.
This painting was after 《Les Demoiselles d'Avignon》by Pablo Picasso (Spanish, 1881–1973)
（Size: H 243.9 x W 233.7 cm Date: Paris, June-July 1907 Oil on canvas, framed, the collection of the Museum of Modern Art, New York U.S.A. MoMA No.: 333.1939）
No. A020 Price: US$ 750,000
顏伯龍1943年作《彩鳥與花草小樹圖》
《Colorful Birds, Flowers and Plants》by Yan Bolong dated 1943
題識簽名︰ 癸未新春日，長白顏伯龍寫。(長尾青綠鳥圖)
癸未新春，長白顏伯龍寫於椿草 (艸) 堂。(長尾朱紅鳥圖)
癸未新春擬元人意，長白顏伯龍寫。(短尾青綠鳥圖)
癸未新春擬元人意，長白顏伯龍寫。(短尾土黃鳥圖)
二式鈐印︰ 家龍書畫，顏。(四幅相同)
大小尺寸︰ 高 114.5 cm x 寬 33 cm x 4 幅
每幅約 3.46 平尺 4.19 才，4幅共約 13.87 平尺 16.79 才。
媒體形制︰ 直幅設色紙本中堂懸掛立軸四條屏共 4 幅
Size: H 114.5 x W 33 cm x 4 scrolls
Ink and color on paper, four hanging scrolls, four screen quadruplets, all four paintings were signed CHANG BAI YAN BOLONG, inscribed AFTER THE PEOPLE IN YUAN DYNASTY AT CHUN CAO TANG IN THE NEW SPRING OF 1943, and each with two seals of the artist.
No. A021 Price: US$ 3 million
鄭板橋1764年作《蘭竹石圖》
《Orchids Bamboos and Rocks》by Zheng Banqiao dated 1764
題識簽名︰ 掀天揭地之文，震電驚雷之字，呵神罵鬼之談，無古無今之畫，
固不在尋常蹊徑中也。未畫以前，不立一格；既畫之後，不留一格。
乾隆甲申為茂林年學兄哂正。板橋鄭燮。
二式鈐印︰ 鄭爕、鄭風子。
一鑑藏印︰ 揚州市博物館鑑藏。
大小尺寸︰ 高 65 cm x 寬 67 cm 約 4.00 平尺 4.83 才
媒體形制︰ 橫幅水墨紙本鏡片 清乾隆甲申年1764年
歷史著錄︰ 鄭板橋年譜 (鄭板橋集)
作者Artist︰郑板桥 ZHENG Banqiao [郑燮 ZHENG Xie] (1693-1765)
鄭板橋年譜(鄭板橋集): 鄭板橋於清乾隆29年甲申年西元1764年72歲時為茂林作《蘭竹石圖》並題識:
題識曰: "掀天揭地之文, 震電驚雷之字, 呵神罵鬼之談, 無古無今之畫, 固不在尋常蹊徑中也. 未畫以前, 不立一格; 既畫之後, 不留一格. 乾隆甲申為茂林年學兄哂正. 板橋鄭燮.".
鄭板橋作蘭竹石圖的最高落槌拍賣紀錄如下:
鄭板橋1756年作 《竹石兰蕙图》 (高 186.5 x 寬 96.0 cm,水墨紙本立轴) 2011年6月7日於中国北京北京匡时国际拍卖有限公司2011春季艺术品拍卖会扬州画派作品专场 Lot. 1059 售出美金 US 6,176,000 元.
Size: H 65 x W 67 cm
Ink on Paper, Mounted, signed Banqiao Zheng Xie, inscribed ARTICLES THAT OPEN AND OVERTHROW HEAVEN AND EARTH, WORDS THAT SHOCK AND FRIGHTEN LIGHTNING AND THUNDER, TALKS THAT SCORE AND BLAME GOD AND GHOST, A PAINTING THAT HAS NOT BEEN EXISTED IN THE PAST AND WILL NOT BE DONE IN THE NEAR FUTURE, ARE ALL NOT ON THE USUAL ROUTE OR COMMON WAY. NEVER TO HAVE A STYLE BEFORE YOU START TO PAINT AND NEVER TO HAVE A STYLE LEFT AFTER YOU FINISH A PAINTING, dedicated QIANLONG JIASHEN (QIANLONG YEAR 29 A.D. 1764) PAINTED FOR MAO LIN NIAN XUE BROTHER TO INSTRUCT, with two seals of the artist and one authenticity appreciation seal of Yangzhou City Museum China.
The biography of Zheng Banqian 《鄭板橋年譜(鄭板橋集)》 written in chronological order (at the age of 72 years old) by 《The Biography of Zheng Banqian》:
Painting 《Orchids Bamboos and Rocks》 was painted by Zheng Banqiao in 1764 (year JIASHEN, the 29th year of Qinglong period Qing dynasty) at 72 years old for MAO LIN NIAN XUE BROTHER TO INSTRUCT, and inscribed:
ARTICLES THAT OPEN AND OVERTHROW HEAVEN AND EARTH, WORDS THAT SHOCK AND FRIGHTEN LIGHTNING AND THUNDER, TALKS THAT SCORE AND BLAME GOD AND GHOST, A PAINTING THAT HAS NOT BEEN EXISTED IN THE PAST AND WILL NOT BE DONE IN THE NEAR FUTURE, ARE ALL NOT ON THE USUAL ROUTE OR COMMON WAY. NEVER TO HAVE A STYLE BEFORE YOU START TO PAINT AND NEVER TO HAVE A STYLE LEFT AFTER YOU FINISH A PAINTING, dedicated QIANLONG JIASHEN (QIANLONG YEAR 29 A.D. 1764) PAINTED FOR MAO LIN NIAN XUE BROTHER TO INSTRUCT, BANQIAO ZHENG XIE.
The highest auction hammer price record of 《Orchids Bamboos and Rocks》 paintings by Zheng Banqiao was as follows:
The 《Bamboo and calligraphy》 (H 186.5 x W 96.0 cm, ink on paper, hanging scroll) by Zheng Banqiao dated 1756 was sold US 6,176,000 dollars at Beijing Council International Auctions Beijing China 2011 Spring Auction Lot. 1059 on 06/07/2011.
No. A022 Price: US$ 4 million
清王翬作《日映嵐光山水圖》
《The Sunshine reflects Misty Light of Mountain》by Wang Hui in Qing Dynasty
題識簽名︰日映嵐光輕鎖翠、秋染黛色冷含青，王翬。
二式鈐印︰王翬之印、耕煙。
大小尺寸︰高 93.2 x 寬 46 cm 約 3.93 平尺、4.76 才
媒體形制︰水墨設色清康熙老絹本中堂懸掛立軸
Size: H 93.2 x W 46 cm
Ink and color on Qing Kangxi old silk, mounted and scrolled, signed WANG HUI, inscribed THE SUNSHINE REFLECTS A LITTLE GREEN MISTY LIGHT OF MOUNTAIN; THE AUTUMN IS CHILLY WITH DARK GREENISH BLACK COLOR, with two seals of the artist.
Registered paintings to sell and exhibit at general venue: 登記在會場展售之名畫
No. B001 Price: US$ 100,000
No. B002 Price: US$ 100,000
No. B003 Price: US$ 1,000
Registered art of works other than paintings (sculptures and so on) to sell and exhibit in VIP Hall: 登記在貴賓廳展售之名畫外藝術精品如雕塑等
No. C001 Price: US$ 50 million
明朝正統年製官窯五彩歐洲使節天朝進貢人物風景紋天球瓶
A Rare and Fine Wucai European Envoy presenting Tribute to the Sovereign of China Figures and Landscape Bottle Vase Tianqiuping Imperial Palace Workshop Zhengtong Period (1436 - 1449) Four-character Seal-mark Ming Dynasty
腹徑 23.5 x 高 37 公分
口徑 8.2 公分
圈足徑 11 公分
Abdomen Diameter 23.5 cm x Height 37 cm
Mouth Diameter 8.2 cm
Round Base-stand Diameter 11 cm
No. C002 Price: US$ 50 million
清康熙仿北宋汝窯天青藍釉康熙皇帝御玩乾隆皇帝御題恐龍巨蛋形瓷器擺件
An After Northern Song Ru Kiln Sky-blue glazed Porcelain Dinosaur-giant-egg-shaped Artifact of Emperor Kangxi with inscriptions by Emperor Qianlong Imperial Palace Workshop Kangxi period Qing dynasty
尺寸: 高 33.5 x 最大腹徑 21.3 x圓底徑 9.5 公分
清朝乾隆皇帝御題詩：「摩挲不忍釋諸手，康熙御玩識當底。」（此詩為摘錄自清朝《高宗御製詩》五集卷一六，原题作《恭題壺盧碗歌》。）。
清朝乾隆皇帝鈐印：「玉悄」（《恰如玉》之意）。
清朝乾隆皇帝御題收藏宮殿：「重華宮金昭玉用」。
釋：清朝乾隆皇帝晚年將「重華宮」設成一個皇家特殊博物館擺著祖父康熙皇帝、父親雍正皇帝兩代老皇帝的各種貴重御玩紀念品。「金昭玉用」是《如明金美玉》之意。清朝康熙皇帝「御玩時摩挲不忍釋諸手」是《用手撫摩把玩不停而不肯放手》之意。
Size: Height 33.5 x Maximum Abdomen Diameter 21.3 x round Base-stand foot Diameter 9.5 cm
The poem inscribed by Emperor Qianlong Qing Dynasty: “Emperor Kangxi appreciated and caressed this artifact with hands continually. He couldn’t help not to set it free!”
The seal inscribed by Emperor Qianlong Qing Dynasty:”Yu Qiao” (It means “Just as Jade”)
The Palace ordered to be set and inscribed by Emperor Qianlong Qing Dynasty: “Palace Zhong Hua Gong, for collections of the Fine Artifacts as shiny Gold and beautiful jade!”
Remarks: In end Qianlong period Qing dynasty, Emperor Qianlong ordered to set Palace Zhong Hua Gong as an imperial extraordinary museum to place the various imperial precious artifacts of his grandfather Emperor Kangxi and his father Emperor Yongzheng.
No. C003 Price: US$ 10 million
唐魯山窯(唐鈞窯)銅綠釉窯變花釉陶胎乳丁紋弦紋雞首壺
A Tang Lushan Kiln (Tang Jun Kiln) Copper-green glazed varicolored glaze-color-change-in-kiln Pottery Chicken-head Jug with a spout, raised 'bow-string' lines on a narrow neck, nipple decorations, and a handle Designs Tang (618-907) dynasty
尺寸: 高 23.3 x 最大腹徑 10.4 x 底部圓壺口底徑 5.5 公分
此唐魯山窯銅綠釉窯變花釉陶胎乳丁紋弦紋雞首壺具備唐魯山窯之蚯蚓走泥流動釉紋、窯變花釉、鐵足。 施釉未至足際， 修釉不齊整， 且有滴釉。 圓壺口置於圈足內、底露褐色陶胎。 而圓壺口置於圈足內及窯變花釉之製作工藝精湛複雜， 非現代仿品所能及， 的確極具古文物價值！ 唐魯山窯是北宋鈞窯之前身， 因此又稱為唐鈞窯， 以窯變花釉最為著名，但傳世品及出土不多，因此世界各大知名博物館中只有中國北京故宫博物院收藏一件唐鲁山窑黑釉蓝斑壶 (高 5.6 x 口径 7.5 x 底径8.6 公分)。
Size: Height 23.3 x Maximum Abdomen Diameter 10.4 x round Mouth Diameter at the Base-stand foot 5.5 cm
This Tang Lushan kiln copper-green glazed varicolored glaze-color-change-in-kiln pottery chicken-head jug has the features of the Tang Lushan Kiln Tang dynasty as earthworm-crawling-in-mud glaze-flowing lines, varicolored glaze-color-change-in-kiln, and iron-dark-foot. Its glazing is not down to the bottom of the foot. The edge of the glaze at foot is not neat and there are several teardrops of glaze there. Its round mouth is located inside the foot ring at the inner bottom of the foot and both are exposed to dark-brown pottery clay. The techniques of making its round mouth to be located inside the foot ring at the inner bottom of the foot and varicolored glaze-color-change-in-kiln are very excellent and complex. A modern faker can’t afford to make it. It’s indeed a very valuable antique! The Northern Song Jun kiln was derived from the Tang Lushan kiln, so the Tang Lushan kiln is also named as Tang Jun Kiln. Among its porcelain and pottery products, the varicolored glaze-color-change-in-kiln ones are the most well-known. Nevertheless they were inherited and handed down from generation to generation quite few. Thus among large and famous museums worldwide, only a Tang Lushan kiln black glazed blue-varicolored glaze-color-change-in-kiln pottery pot (Height 5.6 x Mouth Diameter 7.5 x round Base-stand foot Diameter 8.6 cm) was collected by the Beijing Palace Museum in China.
No. C004 Price: US$ 300,000
唐三彩具極細開片紋及帶蛤蜊光綠地八瓣寶相花紋圓蓋盒
A Tang Sancai Pottery round Box with Cover and eight-petalled ‘Bao Xiang Hua’ Blossoms on green ground Design and very fine crackles together with the inner-shell-of-bivalve-reflecting clam-light Tang Dynasty (618-907)
尺寸: 高 4 x 直徑 10.6 x 平底圓座直徑 8.5 公分
中國河南省鞏義市黃冶窯窯址為唐代燒造唐三彩的重要窯場，發現有製作三叉支燒的模具，與本件唐三彩圓蓋盒底及蓋內之三叉支燒釘痕燒製工法吻合。英國維多利亞艾伯特博物館亦藏有一件與本件類似之唐三彩圓蓋盒 (博物館編號: C.13&A-1935 直徑: 8.3 cm)。
Size: Height 4 x Diameter 10.6 x flat and round Base-stand Diameter 8.5 cm
The three burning-supporting nail-head marks of this Tang Sancai round Box with Cover at the outer bottom and the inner cover have the same burning techniques as the three burning-supporting nail-head model in the Tang Sancai kiln unearthed at the Huang Ye Kiln in Gong YI City Henan Province China and this unearthed kiln was a very important Tang Sancai kiln in Tang dynasty. There is a similar Tang Sancai Pottery round Box with Cover collected by the Victoria and Albert Museum in the United Kingdom (Museum number: C.13&A-1935 Diameter: 8.3 cm).
No. C005 Price: US$ 50 million
一件西元前1075年至西元前1046年殷商紂王時期周武王姬發滅商建周前由其兄伯邑考供作青銅錯銀傳周國王位之豆形“弟姒鼎及年亨子鼎”傳國鼎
A Silver embellished Bronze carved Ritual Meat Vessel Dou shaped “Di Si Ding and Nien Heng Zi Ding” Heir Apparent Symbol of Royal Authority Ding for the reign of Nation Zhou by Bo Yikao to younger brother Ji Fa who defeated the King Zhou of Shang dynasty and became the founder King Wu of Zhou dynasty during the reign of the King Zhou of Shang dynasty China from 1075 B.C. to 1046 B.C.
一件西元前1075年至西元前1046年殷商紂王時期周武王姬發於西元前1046年年初滅商建立周朝前由其兄伯邑考供作青銅錯銀傳周國王位之豆形“弟(姬發)姒(母后太姒)鼎及年(周國年運)亨(亨通)子(萬世子子孫孫永傳)鼎”傳國鼎
尺寸: 高 37 x 兩耳間寬 17.5 x 最大腹徑 13.5 x圓底徑 10.4 公分 重量: 1484 公克
商朝甲骨金文銘文: “ 子月寅年, 作弟姒鼎. 發文, 兄供作. 年亨子鼎, 子子作朕王用. ”.
商朝甲骨金文銘文及其釋文: “ (建周首年首月)子月寅年, 作弟(姬發)姒(周國母后太姒)鼎. 發(姬發)文(作銘文), 兄(姬發長兄伯邑考)供作. 年(周國年運)亨(亨通)子(萬世子子孫孫永傳)鼎, 子子(萬世子子孫孫永傳)作朕王(我周國王)用. ”.
西元前1075年至西元前1046年殷商紂王時期, 周氏族首領西伯姬昌被殷商紂王囚為人質, 他的王位繼承人嫡長子伯邑考欲至商朝首都請求殷商紂王釋放他父親西伯姬昌. 臨行前深知他被殘暴殷商紂王處決的危險性, 他作此鼎以作為周國的傳國王位鼎. 以免萬一他和父親皆被殘暴殷商紂王處決後, 周國將無世襲王位繼承人嫡長子可當領袖國王. 最後此鼎的作者伯邑考仍被殘暴的殷商紂王處決並剁成肉醬予西伯姬昌吃食自己的孩子作為釋放的強迫性處罰. 由於從他的嫡長兄伯邑考取得此鼎, 姬發終於統治周國並於西元前1046年年初擊敗殲滅殘暴的殷商紂王而建立了周王朝.
A Silver embellished Bronze carved Ritual Meat Vessel Dou shaped “Di (eldest younger-brother Ji Fa) Si (Queen-Mother Tai Si) Ding and Nien (National Years of Zhou) Heng (Being Well) Zi (for Sons and grand-Sons of future generations forever) Ding” Heir Apparent Symbol of Royal Authority Ding for the reign of Nation Zhou by Bo Yikao (eldest-brother of Ji Fa who destroyed and defeated the King Zhou of Shang dynasty and became the founder King Wu of Zhou dynasty in early 1046 B.C.) during the reign of the King Zhou of Shang dynasty China from 1075 B.C. to 1046 B.C.
Size: Height 37 x Width between two Ears 17.5 x Maximum Abdomen Diameter 13.5 x round Base-stand foot Diameter 10.4 cm Weight: 1484 grams
The inscription in oracle-bone scriptures of Shang dynasty: “ Zi Yue Yin Nien, Zuo Di Si Ding. Fa Wen, Xiong Gong Zuo. Nien Heng Zi Ding, Zi Zi Zuo Zhen Wang Yong. ”.
The inscription in oracle-bone scriptures of Shang dynasty with English translation by words: “ Zi Yue (in the first month) Yin Nien (first year of foundation of Zhou Nation), Zuo (made this) Di (for younger-brother Ji Fa) Si (and for Queen-Mother Tai Si) Ding (as an Heir Apparent Symbol of Royal Authority Ding for the reign of Nation Zhou). Fa (Ji Fa) Wen (he wrote inscription), Xiong (eldest-brother of Ji Fa i.e. Bo Yikao) Gong Zuo (I dedicatedly made this). Nien (National Years of Zhou Nation) Heng (Being Well) Zi (for Sons and grand-Sons of future generations forever) Ding (as an Heir Apparent Symbol of Royal Authority Ding for the reign of Nation Zhou), Zi Zi (for Sons and grand-Sons of future generations forever) Zuo (to be) Zhen Wang (our King) Yong (used as an Heir Apparent Symbol of Royal Authority for the reign of Nation Zhou). ”.
The inscription in English translation: “In the first month and first year of the national foundation of Zhou Nation, I (Bo Yikao) made this Ding for my younger-brother Ji Fa and for my Queen-Mother Tai Si as an Heir Apparent Symbol of Royal Authority Ding for the reign of Nation Zhou. Ji Fa wrote the inscription and I dedicatedly made this Ding. Long Live the National Years of Zhou Nation to be well and for our sons and grand-sons of future generations forever! Long Live this Ding to be an Heir Apparent Symbol of Royal Authority Ding for the reign of Nation Zhou! Our sons and grand-sons of future generations forever shall be our King by possessing this Ding as an Heir Apparent Symbol of Royal Authority for the reign of Nation Zhou forever and forever. ”.
During the reign of the King Zhou of Shang dynasty China from 1075 B.C. to 1046 B.C. the Leader (Xi Bo Ji Chang) of Zhou Nation was put in jail as a hostage by the King Zhou of Shang dynasty. His eldest son Bo Yikao as an Heir of Royal Authority for the reign of Nation Zhou intended to go to the capital of Shang dynasty for asking for a favor to release Xi Bo Ji Chang from the King Zhou of Shang dynasty. Before his departure he had been fully aware of the danger of being executed by the cruel King Zhou of Shang dynasty. Therefore he made this Ding as an Heir Apparent Symbol of Royal Authority Ding for the reign of Nation Zhou lest he should have had no nominated leading Hair of Royal Authority for the reign of Nation Zhou once he and his father were both executed by the cruel King Zhou of Shang dynasty. Finally the artist of this Ding Bo Yikao was executed and cooked as a meat for Xi Bo Ji Chang to eat his son as a forced punishment to be released. By possessing this Ding from Bo Yikao (the eldest-brother of Ji Fa) Ji Fa reigned over Nation Zhou successfully and finally destroyed and defeated the cruel King Zhou of Shang dynasty and became the founder King Wu of Zhou dynasty in early 1046 B.C..
No. C006 Price: US$ 3 million
一件西元前179年至西元前157年西漢文帝劉桓寶承妣皇銘文大鳳小龍紋青銅傳承旨意帝王劍
A Bronze carved Sword of Emperor Wen (Liu Huan) with greater Phoenix and little Dragon Totems Designs and inscription of “Honorable Heritage from Mother Empress” Western Han dynasty China from 179 B.C. to 157 B.C.
大小尺寸: 長 57.2 x 寬 6.7 x 厚 0.1-2.9公分 重量: 682 公克
甲骨金文銘文: 寶承妣皇 (「妣皇」為中國第一位掌權女皇帝西漢高后〔西元前187年至西元前180年〕呂雉〔西元前241年至西元前180年〕)
2015年12月16日在法國巴黎舉行的蘇富比尚古彌珍－大維威爾中國古代藝術品珍藏拍賣會圖錄 Lot. 15 及 Lot. 41中列有兩把中國東周戰國時期無銘文且無紋青銅古劍.
Size: L 57.2 x W 6.7 x D 0.1-2.9 cm Weight: 682 grams
The inscription in oracle-bone scriptures of Shang dynasty at the sword: “Bao Cheng Bi Huang”.
The inscription in oracle-bone scriptures of Shang dynasty at the sword with English translation by words: “Bao (Honorable) Cheng (Heritage) Bi (deceased Mother) Huang (Empress)”.
The inscription in oracle-bone scriptures of Shang dynasty at the sword with English translation: “Honorable Heritage from Mother Empress (The first ruling reign of an Empress in Chinese history, Han Gao Hou〔reign 187 B.C. - 180 B.C.〕Empress Lu Zhi〔born 241 B.C. - 180 B.C.〕)”.
There are two archaic BRONZE SWORDs in WARRING STATES PERIOD EASTERN ZHOU DYNASTY China without any totem and inscription listed on the Sotheby’s auction catalogue of “TRÉSORS DE LA CHINE ANCIENNE DE LA COLLECTION DAVID DAVID-WEILL” Lot. 15 and 41 dated 16 December 2015 held in Paris France.
No. C007 Price: US$ 3 million
一件西元前1600年至西元前1046年商朝特殊不銹有蓋青銅羊角怪獸頭饕餮紋龍虎魚鳥人蛇紋牺觥
A Bronze carved Ritual Wine Vessel Ewer Livestock GONG Shang Dynasty China from 1600 B.C. to 1046 B.C.
大小尺寸: 高 26.5 x 寬 27 x 深 11 公分 重量: 2,656 公克
一件西元前1600年至西元前1046年商朝特殊不銹有蓋青銅羊角怪獸頭饕餮(古代貪吃獸)紋龍虎魚鳥人蛇紋前頭刻鳥啄中間刻牛角鹿角把手刻立鳥後足刻人形裹蛇紋牺觥.
一件商代晚期之共父乙觥（西元前 13世纪-西元前11世纪）現藏中國上海博物馆.
美國華盛頓特區之 Freer 美術館 (Arthur M. Sackler 美術館與Freer 美術館組成Smithsonian 機構之國立亞洲藝術博物館) 收藏有一件西元前1100年至西元前1050年商朝末期特殊有蓋青銅羊角龍頭饕餮(古代貪吃獸)紋龍虎魚鳥象人蛇紋, 尾部牛角化成魚, 每一後足皆是刻人形裹於蛇盤圈, 前頭與把手刻鳥, 後足人形裹蛇紋之牺觥 (收錄編號: F1961.33a-b, 大小尺寸: 高 31.4 x 寬 31.5 x 深 14.4 公分, 歷史時期: 大約西元前1100年至西元前1050年中國.).
Size: H 26.5 x W 27 x D 11 cm Weight: 2,656 grams
An extraordinary bronze carved lidded ritual wine vessel ewer (Livestock GONG) with designs of taotie (an ancient Chinese mythical gluttonous beast), dragons, tigers, fish, birds, humans, serpents, the ram's horns and mythical beast head in front, the beak of bird at the front, the bovine and deer horns at the middle, the standing bird on the handle, and the humans wrapped in snakes on the back legs Shang dynasty China from 1600 B.C. to 1046 B.C..
A bronze carved lidded ritual wine vessel ewer (Gong Fu Yi GONG) in end Shang dynasty from 13th century B.C. to 11th B.C. is collected by the Shanghai Museum China.
An extraordinary bronze lidded ritual ewer (gong) with taotie, dragons, birds, tigers, elephants, fish, snakes, humans, the ram's horns in front are also dragons, the bovine horns in the back turn into fish, each hind leg is a human figure wrapped inside the coils of a serpent, the birds at the front and on the handles, and the humans wrapped in snakes on the back legs (ACCESSION NUMBER: F1961.33a-b, DIMENSION(S): 31.4 x 31.5 x 14.4 cm, HISTORICAL PERIOD(S): ca. 1100-1050 BCE, China) is collected by the Freer Gallery of Art (the Arthur M. Sackler Gallery and the Freer Gallery of Art form the Smithsonian Institution's national museums of Asian art) in Washington D.C. U.S.A..
No. C008 Price: US$ 300,000
一件西元前770年至西元220年東周至漢朝青銅錯金遠古人類馬犬狩獵圖紋狩獵犬
A Bronze Hunting Dog gilt with ancient Men Horses and Dogs on hunting painting of Eastern Zhou dynasty to Han dynasty China from 770 B.C. to A.D. 220
大小尺寸: 長 30.5 x 寬 9.6 x 高 8.8公分 重量: 1,111 公克
Size: L 30.5 x W 9.6 x H 8.8 cm Weight: 1,111 grams
No. C009 Price: US$ 1 million
田黃凍帶皮扁圓卵石雕山水人物薄意擺件連座
A round and flat Tianhuang Stone Pebble with skin Carved ‘Landscape and Figures’ Decorated Carving with Base
尺寸: 高 10.5 x 寬 7.6 x 深 3 公分
重量: 447 公克
比重密度: 2.62
摩氏硬度: 3
本件田黃凍石具備有蘿卜紋、紅血絲筋紋、裂格紋、全通透、凍蜂蜜狀、滑腻感、油脂與玻璃光泽、帶皮扁圓田黃卵石等天然田黃凍石的特徵。
Size: H 10.5 x W 7.6 x Depth 3 cm
Weight: 447 gram
Density (Specific Gravity): 2.62
Mohs scale of mineral hardness: 3
This Tianhuang Stone has the features of natural Tianhuang Stones such as texture of the radish grain, red-blood-vessel pattern, crack pattern, full transparency, frozen-honey-like appearance, dense, smooth, and delicate feeling by hand-touch, glossy and glassy luster, round and flat Tianhuang stone pebble with skin.
No. C010 Price: US$ 3 million
中國北方紅山文化時期古白玉雕豬鳥翼形龍
A Carved Archaic White Jade "Pig-and-Bird-Winged Dragon (Winged Mythical Beast)" of 4700 B.C. - 2000 B.C. Hong-shan Culture in Northern China
年代: 西元前4700年至西元前2000年中國北方紅山文化時期
尺寸: 高 17.5 x 寬 10.5 x 深 6 公分
重量: 1,597 公克
此藝術品已經具備有數千年之久的深度 "黃土沁色" 及其背部鈣化風化現象,可以說是世界上人類所創造的遠古最早期 "抽象派雕塑品", 其雕刻仍然甚為原始!
Year: 4700 B.C. - 2000 B.C. Hong-shan Culture in Northern China
Size: H 17.5 x W 10.5 x D 6 cm
Weight: 1,597 Grams
It has been soaked with deep "Yellow-loess Soakage Color" and has calcification at the rear of sculpture over the past thousands of years. This work of art could be described as the far ancient earliest "Abstract Sculpture" created by people in the world! The carving of this beautiful work of art was still quite primitive.
No. C011 Price: US$ 3 million
東周戰國至秦朝時期古白玉雕騎兵戰馬中戟紋秦始皇帝崇武玉琮
A Carved Archaic White Jade Cavalrymen War Horses and Halberds of Middle Sizes Totems Militarism Worship Cong of the First Emperor of Qin 475 B.C.–206 B.C. Eastern Zhou Dynasty Warring Times to Qin Dynasty
西元前475年至西元前206年中國東周戰國至秦朝時期古白玉雕騎兵戰馬中戟紋秦始皇帝崇武玉琮
尺寸: 琮高 29.5 x 寬 15 x 深 14.8 公分 琮之內孔直徑 10 公分
重量: 10,908 g
銘文: 玉琮四面的每一面皆飾以將青銅鎔入玉面陰刻溝渠線紋的鑠金8幅騎兵乘戰馬持中戟以不同方位刺向敵人紋, 每面中間直線條中尚飾以秦文或秦相李斯所創小篆文字體 “中戟” 二文字.
此西元前475年至西元前206年中國東周戰國至秦朝時期古白玉雕騎兵戰馬中戟紋秦始皇帝崇武玉琮的古玉雕美麗藝術品, 其雕刻仍然甚為原始! 並非是使用現代的機械工具, 而是利用中國古代的 "手工兩邊穿洞雕法". 此 "古白玉雕騎兵戰馬中戟紋秦始皇帝崇武玉琮" 之雕琢厚實, 簡練, 而流暢, 其以手工從兩邊穿洞雕法所形成之洞中路徑不一致, 與方形玉柱體內鏤空穿過一大圓孔的方式, 皆為中國東周戰國至秦朝時期的常用玉琮雕琢工法. 而此工藝品之玉皮上, 亦具備有非常清楚與明顯的中國古老白玉黃土沁色.
此出色極美之精美藝術品具備中國東周戰國至秦朝時期帝王玉工所雕 "秦國帝王尊貴威嚴的王者氣度神韻及秦朝秦始皇帝的崇武精神" 之極度流暢王玉工藝, 絕非是近現代玉工所能完成和仿制之, 為中國古代帝王所用帝王玉雕工藝的鬼斧神工絕美傑作.
位於美國舊金山的亞洲藝術博物館已收集兩件中國古代的祭天 "玉琮".
Size: Cong H 29.5 x W 15 x Depth 14.8 cm Cong Hole Diameter 10 cm Weight: 10,908 Grams
Inscription: Every Side of Cong has Eight Cavalrymen Totems each riding on War Horse and holding Halberd of Middle Size to stab at enemies from different directions and has also two Chinese ancient characters “Halberd of Middle Size” written in Qin Characters or Xiao Zhuan Characters that were invented by the Premier Li Si of Qin Dynasty at the middle vertical line part of Cong on its four sides. The Cavalrymen War Horses and Halberds of Middle Sizes Totems as well as the two Chinese ancient characters “Halberd of Middle Size” written in Qin Characters or Xiao Zhuan Characters were all using the melted copper to be filled into the carved incised feminine ditch lines forming new smooth surface.
The carving of this beautiful work of art in 475 B.C. – 206 B.C. Eastern Zhou Dynasty Warring Times to Qin Dynasty China by Archaic Jade was still quite primitive and not made by modern machine tools, but using the popular "Handmade Hollowing-hole-from-two-sides Carvings" in ancient China. The carving techniques of this work of art were made simply, clearly, skillfully, and smoothly upon a thick and solid jade, the Handmade Hollowing-hole-from-two-sides Carvings forming path gaps between two holes from each side and a rectangular jade body carved with an inner hole were all the popular jade carved Cong working techniques used in Eastern Zhou Dynasty Warring Times to Qin Dynasty China.
This work of art has also very clear and apparent yellow loess soakage color in the skin as the aged white jade in ancient China.
Asian Art Museum located in San Francisco CA. U.S.A. has collected two ancient "Jade carved Heaven Worship Congs of China".
No. C012 Price: US$ 1 million
西元前206年至西元220年漢朝時期和闐黑棗皮古白玉巧雕坐姿雙峯駱駝
A Coincident Carved Archaic Khotan Russet Skin White Jade Sitting Double-humped Camel 206 B.C. - A.D. 220 Han Dynasty
尺寸: 高 9 x 寬 22.5 x 深 13.5 公分
重量: 3,941 公克
英國維多利亞艾伯特博物館之館藏有中國古玉雕坐姿雙峯駱駝,尺寸為寬 9.8 公分.
Size: H 9 x W 22.5 x Depth 13.5 cm
Weight: 3,941 Grams
A Carved Archaic Jade Figure of a Sitting Double-humped Camel is collected by the Victoria and Albert Museum in the United Kingdom with Size: Length 9.8 cm.
Registered art of works other than paintings (sculptures and so on) to sell and exhibit at general venue: 登記在會場展售之名畫外藝術精品如雕塑等
Join the World Art Exhibition of the Exquisite Artworks
參加世界精美藝術作品展覽
2018 Art Taipei World Art Fair and Art Olympiad
2018年台北世界藝術博覽展售會及世界奧林匹亞藝術競賽會
A new generation of world art buyer
一個新世代世界藝術品買家
X01-A White Calcified Baby Dinosaur Fossil named-I have teeth-at somewhere on Earth 地球某處小恐龍化石
X02-A Space Meteorite with a burnt through hole at the wall of cave 1057 grams 具燒穿洞之太空隕石
X03-An Archaic green Jade carved Guanyin Figure 高古碧玉雕觀音菩薩坐像
X04-A Green Purple Red Three-Colored Jadeite carved Auspicious Bat Longevity Fungus Buddhist Hand Qing Dynasty 297 grams 清朝天然緬甸A貨三彩雕翡翠佛手
X05-An Archaic Jade carved Fish Wine Cup 高古玉雕魚形酒杯
X06-A Green Jade Rock carved Underground Terracotta Army 碧玉石塊雕兵馬俑
X07-An Archaic Mutton Fat White Jade carved Dragon Pendant 高古羊脂白玉雕龍形珮
X08-A Yongzheng Enameled Eggshell Porcelain Vase with Western Family and a Villa Garden Design 清朝雍正瓷胎琺瑯彩西方家庭花園薄胎蛋殼瓶
X09-A Qianlong Enameled Porcelain Vase with Flowers and Birds Peacock and Peahen Design 清朝乾隆瓷胎琺瑯彩花鳥孔雀紋瓶
X10-A Kangxi Famille Verte (Wucai) Porcelain Vase with Dragon and Phoenix Design 清朝康熙瓷胎五彩龍鳳紋瓶
Y01-Beauty in Red Hair-kerchief,Wooden Shoes,White Robe, Bamboos Painting by Zhang Daqian dated 1980 張大千1980年作脩竹紅髮巾木屐白袍裸肩日本美女圖
Y02-Autumn Twilight in a Forest Painting by LIN FENGMIAN inscribed by CHENG SHIFA 林風眠作程十髮題引首秋艷風景圖
Y03-The Children and Father Sitting on the Back of Camels Painting by Huang Zhou 黃冑作駱駝背上的小學生與父親圖
Y04-Landscape Painting by Feng Chaoran 馮超然作山水圖
Y05-A young Lady after Bath Painting by Qiu Yuan dated 1942 秋圓1942年作貴妃出浴圖
Y06-The Heavenly Place in Mankind World by Zhang Daqian dated 1982 張大千1982年作人家在仙堂潑彩山水圖
Y07-Mountain Emei May Be Crossed On Top by Zhang Daqian dated 1971 張大千1971年作可以橫絕峨嵋巔潑彩山水圖
Y08-The Dreamland of Mountain Qingcheng in Heavenly Place by Zhang Daqian dated 1981 張大千1981年作夢入靑城天下幽人間仙境潑彩山水圖
Y09-Splashed Color Landscape Painting of Fuchun Mountain by Zhang Daqian dated 1978 張大千1978年作富春山居潑彩山水圖
Y10-Splashed Color Landscape Painting of Beautiful Mountain Qingcheng by Zhang Daqian dated 1973 張大千1973年作青城天下幽潑彩山水圖
http://www.orionmuseum.com:168
Organizer 策展人
Mr. Orion Hsu
orionandhsu@yahoo.com.tw
orionandhsu@gmail.com
X01-A White Calcified Baby Dinosaur Fossil named-I have teeth-at somewhere on Earth
地球某處小恐龍化石
X02-A Space Meteorite with a burnt through hole at the wall of cave 1057 grams
具燒穿洞之太空隕石
X03-An Archaic green Jade carved Guanyin Figure
高古碧玉雕觀音菩薩坐像
X04-A Green Purple Red Three-Colored Jadeite carved Auspicious Bat Longevity Fungus Buddhist Hand Qing Dynasty 297 grams
清朝天然緬甸A貨三彩雕翡翠佛手
X05-An Archaic Jade carved Fish Wine Cup
高古玉雕魚形酒杯
X06-A Green Jade Rock carved Underground Terracotta Army
碧玉石塊雕兵馬俑
X07-An Archaic Mutton Fat White Jade carved Dragon Pendant
高古羊脂白玉雕龍形珮
X08-A Yongzheng Enameled Eggshell Porcelain Vase with Western Family and a Villa Garden Design
清朝雍正瓷胎琺瑯彩西方家庭花園薄胎蛋殼瓶
X09-A Qianlong Enameled Porcelain Vase with Flowers and Birds Peacock and Peahen Design
清朝乾隆瓷胎琺瑯彩花鳥孔雀紋瓶
X10-A Kangxi Famille Verte (Wucai) Porcelain Vase with Dragon and Phoenix Design
清朝康熙瓷胎五彩龍鳳紋瓶
Y01-Beauty in Red Hair-kerchief,Wooden Shoes,White Robe, Bamboos Painting by Zhang Daqian dated 1980
張大千1980年作脩竹紅髮巾木屐白袍裸肩日本美女圖
Y02-Autumn Twilight in a Forest Painting by LIN FENGMIAN inscribed by CHENG SHIFA
林風眠作程十髮題引首秋艷風景圖
Y03-The Children and Father Sitting on the Back of Camels Painting by Huang Zhou
黃冑作駱駝背上的小學生與父親圖
Y04-Landscape Painting by Feng Chaoran
馮超然作山水圖
Y05-A young Lady after Bath Painting by Qiu Yuan dated 1942
秋圓1942年作貴妃出浴圖
Y06-The Heavenly Place in Mankind World by Zhang Daqian dated 1982
張大千1982年作人家在仙堂潑彩山水圖
Y07-Mountain Emei May Be Crossed On Top by Zhang Daqian dated 1971
張大千1971年作可以橫絕峨嵋巔潑彩山水圖
Y08-The Dreamland of Mountain Qingcheng in Heavenly Place by Zhang Daqian dated 1981
張大千1981年作夢入靑城天下幽人間仙境潑彩山水圖
Y09-Splashed Color Landscape Painting of Fuchun Mountain by Zhang Daqian dated 1978
張大千1978年作富春山居潑彩山水圖
Y10-Splashed Color Landscape Painting of Beautiful Mountain Qingcheng by Zhang Daqian dated 1973
張大千1973年作青城天下幽潑彩山水圖
Artprice.com: Defying all forecasts: China upped 18%, dominated the global Art Market in the first half of 2016 [26 Jul 2016 13:21]
1. China returns to the leader position as the world’s largest art marketplace with a +18% increase
2. Hong Kong posted H1 growth of 10%
3. Market liquidity has been guaranteed by transactions volumes up 3.2%
4. The Western auction market posted a stable unsold rate of 28%
5. Low supply of masterpieces reduces Western auctioneers’ turnover.
6. Fewer records, but stronger activity
7. The market price index is down vs. January 2015, but gained 10% in the 2nd quarter of 2016
Global figures
Worldwide, more than 252,000 Fine Art lots were sold in the first six months of 2016, generating a total turnover of $6.53 billion (including fees). Artprice, world leader in Art Market information since 1987, has systematically analysed over 3500 auction sales to produce a detailed half-year report covering public auctions of Fine Art (painting, sculpture, drawing, photography, printmaking and installations).
Transactions rose 3.2% while sales turnover dropped -25%, almost entirely due to a reduced offer of major masterpieces (works priced over $10 million) in all artistic periods.
According to thierry Ehrmann, Artprice’s founder and CEO, with its overall economy on meltdown watch for a number of semesters, China had been expected to lose its ‘soft power’ battle with the United States on the global art market this year. Its return to the global leader position with a turnover up by more than $570 million is therefore a major surprise. Another surprise on the global art market has been the generally low unsold rate and the dynamic pace of transaction growth, both clearly demonstrating the art market’s capacity for adjustment and safe-haven attractiveness compared with financial markets and standard investment returns.
Country Turnover (USD) Market Share
1 China $2,317,597,249 35.5%
2 US $1,748,857,652 26.8%
3 UK $1,399,415,176 21.4%
4 France $302,082,146 4.6%
5 Germany $102,684,709 1.6%
6 Italy $101,412,936 1.6%
7 Switzerland $71,874,875 1.1%
8 Austria $53,640,735 0.8%
9 Japan $45,663,657 0.7%
10 South Korea $43,100,281 0.7%
Other $345,104,907 5.3%
The Western Art Market
The short supply of masterpieces at the market’s high-end (> $10 million) has primarily impacted the results of the two capitals of the Western art market where the bulk of these sales are hammered. Compared with the same period a year earlier, London was down 30% and New York was down 49%. The weak performance of these two major cities naturally affected the overall figures for the global secondary art market as a whole, which lost a quarter of its value in the first six months of 2016.
The slowdown was already visible in the second half of 2015 with the first signs of a fall in sales revenue since the financial crisis in 2008.
Although the market was braced for some degree of contraction in the first half of 2016, it was not expecting a drop of this magnitude. An unfavourable comparison basis has significantly amplified the size of the contraction since the first half of 2015 posted absolutely historic highs, with a large volume of new auction records.
Nevertheless, the heart of the Western art market appears to have retained its vitality.
Nevertheless, the heart of the Western art market appears to have retained its vitality. The market’s overall unsold rate — a key marker of the art market’s health for two centuries (above 35% indicates meltdown territory… below 25% indicates a speculative dynamic) — is still 2 points below the indicator’s pivotal 30% level.
The number of lots sold has also seen a significant 10% increase.
Apart from China, several countries have posted auction turnover growth including Belgium (+ 12%), Turkey (+7%) and Sweden (+44%), proving that national markets are not necessarily affected by weakness in the two major Western capitals.
China’s Art Market, (in collaboration with our Chinese institutional partner, the Artron Group, and AMMA [Art Market Monitor by Artron] headed by Wan Jie)
During the first half of 2016, China beat the United States to first place on the global art market.
The sharp contraction at the top of the US art market has allowed China back into the leader position on the global map of national markets, a development that no-one would have imagined last year.
Indeed, Mainland China’s art market is still undergoing substantial readjustment: its secondary art market sold fewer lots (down 22%) and its overall unsold rate remains high (at 64%). But its total turnover on Fine Art only posted an +18% increase.
China’s problem with unsettled bids has now been resolved by an extremely strict legal framework that has been in force for 2 years.
Hong Kong — an integral part of the People’s Republic of China — is at the heart of the process of stabilisation of the Chinese market and is proving to be of paramount importance for the nation’s art market.
Hong Kong is the only major marketplace in the world that has continued to post market growth (nearly +10%) and it is clearly keeping the Chinese art market alive.
Fewer records but greater market liquidity
The slowdown in the Western art market essentially concerns high-end prestige sales. These sales of Impressionist & Modern Art and Post-War & Contemporary Art represent the marketing spearhead of the major auction houses and, so far this year, they have presented far fewer exceptional pieces on both sides of the Atlantic.
In New York, Christie's — the world’s leading auction operator — has posted a 56% drop in turnover on Fine Art. Its total for the first six months of 2016 was therefore less than half its turnover for the same year-earlier period.
However, the downturn in revenue has not stopped Sotheby's (the only major auctioneer whose capital is traded on the stock market and listed in New York) from enjoying a 20.5% increase in its share price since 1 January 2016, suggesting that the financial markets are confident in the art market.
Of course, the contraction in art market turnover appears all the more dramatic after the exceptionally strong results at the beginnings of both 2014 and 2015 with the secondary market majors posting their highest-ever sales totals and stunning new auction records.
Last year, Artprice’s interim report clearly identified the “highly selective nature of the lots offered for sale and the rocketing prices of works by the market’s stars" during the first half of 2015.
This dual phenomenon was symbolized by Christie's introducing a new sales format (mixed period sales) of which Looking Forward to the Past on 11 May 2015 was a stunning example.
That evening sale demolished the all-time auction record for an artwork not once, but twice, with masterpieces by Giacometti and Picasso fetching respectively $141.3 million and $179.4 million. The sale also posted the highest-ever average hammer-price at $18.4 million.
The shortage of masterpieces has been felt throughout the first half of 2016. Whereas Christie's hammered 31 results above $10 million last year, it only recorded 12 in the first half 2016, with a top price of just $57.3 million in New York.
The lack of spectacular results seems to suggest the market has fallen asleep in 2016.
However, this is clearly not the case since there has been more activity in H1 2016 than there was in H1 2015 with the Western art market posting a 9.7% increase in transactions and a 9.9% increase in its price index in the second quarter of the year.
Indeed, the reluctance to part with major masterpieces is in sharp contrast with the enhanced liquidity of the works present on the art market.
This intensification in the volume of transactions — with a stable unsold rate — confirms beyond any doubt the enhanced liquidity of the Western art market.
Driven by investment logic, speculation, inspired collectors and an insatiable demand for major artworks from the world’s museum industry, the turnover total for the global secondary art market is in good health thanks to China and +18%. The art market has managed to post a better interim turnover total despite a deterioration in the global economic context.
Apart from access to reliable art market information, the driving forces in today's art market are the rapid proliferation of online art sales (with 95% of the Art Market's players connected), the emergence of art as a reliable and interesting asset class, the massive growth of the art-consuming population (from roughly half a million in 1945 to around 70 million in 2016), the accession to the market of a much younger generation and an expansion of the market to Asia, the Pacific Rim, India, South Africa, the Middle East and South America.
E-business is up 96% on the Art Market (Christie's, 25 July 2016, in Les Echos).
It is also being driven by a museum growth phenomenon (700 new museums per year) with the global museum industry becoming a significant economic reality in the 21st century and more museums opening between 2000 and 2014 than during the entire 19th and 20th centuries. Indeed, demand for museum-quality artworks is clearly one of the primary value drivers at the high end of the global art market. Both mature and liquid, the art market now offers yields of 10% to 15% per year for works valued at over $100,000.
In 2016, the China recovered its leading position on the global art auction market after losing it to United States for five years. China still has by far the strongest market for Old Master art in the world. In the global competition for cultural influence, art represents a key factor in what is nowadays referred to as Soft Power, and in a number of countries, this power is actively pursued (e.g. the United States, China and, on another scale, Qatar).
So this is the macro and micro-economic basis of today's Art Market: a market that has emerged for the last 16 years as a safe haven against economic and financial instability, with substantial and recurring returns.
Against a backdrop of negative interest rates, the Art Market looks remarkably healthy with its Contemporary segment alone posting a 1,200% progression of annual turnover over the past 16 years and a +43% linear progression of the average value of an artwork. These returns are not limited to star signatures; in fact our data shows that works valued at above $20,000 already generate significant annual yields of 9%.
The Art Market is an efficient, historical and global market whose ability to withstand economic and geopolitical crises is well established.
World Top 10 artists - 2016 H1 © Artprice.com
Artist Auction turnover Sold lots Record price
1 Pablo PICASSO $196,338,239 1,718 $63,220,336
2 ZHANG Daqian $180,799,659 286 $34,917,720
3 WU Guanzhong $102,643,774 74 $30,444,000
4 Jean-Michel BASQUIAT $101,726,388 41 $57,285,000
5 Amedeo MODIGLIANI $83,392,696 19 $56,265,500
6 Claude MONET $81,955,266 20 $27,045,000
7 FU Baoshi $78,062,000 35 $34,960,000
8 Francis BACON $77,656,161 50 $34,970,000
9 Andy WARHOL $74,425,982 739 $7,698,000
10 QI Baishi $73,436,024 209 $5,341,923
Taiwan Tea that
makes you to enjoy tea drink like an European King or Queen in the Palace
讓你像歐洲皇宮中國王或皇后般享受茶飲料的台灣茶
(:100 即一百度 one hundred degree)
Beautiful
Apparel that catches People’s Eyes
抓住眾人眼光的美麗服裝
(:888 即發發發 more and more prosperous)
2018 Art Taipei World Art Fair and Art Olympiad
2018年台北世界藝術博覽展售會及世界奧林匹亞藝術競賽會
(:168 即一路發
all the way to the prosperous)
A Facebook
public group "Fine Art to Sell"
臉書公共社群網站 "藝術精品展售"
Hello! Your beautiful works of art are invited to join a
public Facebook group "Fine Art to Sell" to exhibit freely fine art
for sale to buyers worldwide.
From Western Oil Paintings to Chinese Watercolor Paintings;
from Europe to America via China and Africa by-passing India; from bronze, jade
and Jadeite, ceramics, paintings, dinosaur fossils, sculptures, to space
meteorites; from century B.C. to A.D.; from US several dollars to millions, and
even priceless; from unearthed, unearthed-seabed, to the outer space, you can
find many extra-ordinary works of art here in this group!
Over thirty-two thousand increasing group members, most of them
are creative and professional Artists, have offered over five thousand and five hundred increasing valuable lots for your appreciation and examinations! It’s
completely free to be in and free to be out as your wish and to get your knowledge
of worldwide art freely!
(Over 32,000 group
members and 5,500 artworks)
哈囉! 邀請您美麗的藝術作品歡迎加入臉書公共社群網站 "藝術精品展售" 以便向全世界的買家免費展示.
從西方油畫到中國水墨彩畫; 從歐洲至美洲經由中國與非洲路過印度; 從青銅器, 玉器翡翠, 瓷器, 書畫, 恐龍化石, 雕塑, 至太空隕石; 從西元前至西元後; 從數美元至數百千萬美元, 甚至無價之寶; 從地下出土, 海底床出水, 甚至於外太空, 您可在此臉書公共社群網站中找到許多特別好的藝術作品!
超過三萬二千位增加中的會員, 其中絕大部分是富有創造力強而專業的藝術作家, 已經提供了超過五千五百件增加中的名貴藝術作品供您鑑賞! 它是完全免費進入也是免費離開, 且正如您所願, 可以自由進出以取得您的全球藝術知識!
(超過32,000名會員與5,500件藝術品)
Over 1,700 photos of fine Chinese works of art
including Ceramics and Paintings from large museums worldwide and Sotheby’s
auctions as well as Christie’s auctions:
超過1,700件在世界各大博物館及蘇富比拍賣與佳士得拍賣之精美中國瓷器及書畫藝術品圖片資料
(Over 1,700 artworks)
Mr. Orion Hsu
Email:
http://orionwebmuseum.blogspot.com
(Over 875,000 visitors/views/clicks 訪客點閱 with Google+)
http://taiwanwebmuseum.blogspot.com
(Over 6,276,000 visitors/views/clicks 訪客點閱 with Google+)
http://orionandhsu.blogspot.com
(Over 760,000 visitors/views/clicks 訪客點閱 with Google+)
10,000 visitors/views/clicks per day at Flickr
於Flickr網站每天有10,000人次閱覽
https://www.flickr.com/photos/orionmuseum/18207959416/
(Over 6,600,000 visitors/views/clicks)
Buy Someone’s Future Opportunity Report 買某人的未來機會報表
Taiwan Made 3TB External 3.5” HDD/台灣製造 3TB 外接式3.5英吋硬碟儲存裝置
http://www.orionmuseum.com:2016
Taiwan Tea 台灣茶/Car Driver Refreshing Tea 開車提神茶/Tote Bag 大手提袋/Home Pillow 家庭枕頭/Sofa Pillow 沙發枕頭/Car Pillow 汽車枕頭
http://www.orionmuseum.com:100
Beautiful Apparel 美麗衣服/Tote Bag 大手提袋/Home Pillow 家庭枕頭/Sofa Pillow 沙發枕頭/Car Pillow 汽車枕頭
http://www.orionmuseum.com:888
2018 Art Taipei World Art Fair and World Art Olympiad
2018年台北世界藝術博覽展售會與世界藝術競賽會
http://www.orionmuseum.com:168
(Over 875,000 visitors/views/clicks 訪客點閱 with Google+)
http://taiwanwebmuseum.blogspot.com
(Over 6,276,000 visitors/views/clicks 訪客點閱 with Google+)
http://orionandhsu.blogspot.com
(Over 760,000 visitors/views/clicks 訪客點閱 with Google+)
10,000 visitors/views/clicks per day at Flickr
於Flickr網站每天有10,000人次閱覽
https://www.flickr.com/photos/orionmuseum/18207959416/
(Over 6,600,000 visitors/views/clicks)
ORION WEB SELLING PLATFORMORION 網路銷售平台
Buy Someone’s Future Opportunity Report 買某人的未來機會報表
Taiwan Made 3TB External 3.5” HDD/台灣製造 3TB 外接式3.5英吋硬碟儲存裝置
http://www.orionmuseum.com:2016
Taiwan Tea 台灣茶/Car Driver Refreshing Tea 開車提神茶/Tote Bag 大手提袋/Home Pillow 家庭枕頭/Sofa Pillow 沙發枕頭/Car Pillow 汽車枕頭
http://www.orionmuseum.com:100
Beautiful Apparel 美麗衣服/Tote Bag 大手提袋/Home Pillow 家庭枕頭/Sofa Pillow 沙發枕頭/Car Pillow 汽車枕頭
http://www.orionmuseum.com:888
2018 Art Taipei World Art Fair and World Art Olympiad
2018年台北世界藝術博覽展售會與世界藝術競賽會
http://www.orionmuseum.com:168
沒有留言:
張貼留言